Wheelbarrow Single release on Dark Beauty Magazine
Read the full article HERE
"Our friend POMPOM has been busy in the studio producing and engineering the new project GIRLFIEND. One can say there’s a vibe of real dark Grunge along the lines of Hole, Marylin Manson, and Babes in Toyland. Their sound lives in a dark space that is at once luscious, grimey, jagged, and beautiful. The lyrics often evoke sadness, angst, and violence, but have catharsis as their ultimate goal. Girlfiend is creating Queer Girl Band music that is as revolutionary as it is contagiously listenable."
Meikee Magnetic, Dark Beauty Magazine
"Our friend POMPOM has been busy in the studio producing and engineering the new project GIRLFIEND. One can say there’s a vibe of real dark Grunge along the lines of Hole, Marylin Manson, and Babes in Toyland. Their sound lives in a dark space that is at once luscious, grimey, jagged, and beautiful. The lyrics often evoke sadness, angst, and violence, but have catharsis as their ultimate goal. Girlfiend is creating Queer Girl Band music that is as revolutionary as it is contagiously listenable."
Meikee Magnetic, Dark Beauty Magazine
Girlfiend talks album, influence, and the queer community with Out Front
Read the full article HERE
"We are currently recording our full-length album which is going to be titled Nature, Love, and Anger, and then we have two more singles coming out. The next single we have coming out is called “Wheelbarrow,” and the other one is a cover of “Rabid.” " -Addison Herron-Wheeler, Out Front Magazine
"We are currently recording our full-length album which is going to be titled Nature, Love, and Anger, and then we have two more singles coming out. The next single we have coming out is called “Wheelbarrow,” and the other one is a cover of “Rabid.” " -Addison Herron-Wheeler, Out Front Magazine
Garden of Ache Music Video Premiere with Wussy Magazine
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Read the full article HERE
"While the aesthetic of the “Garden of Ache” video is raw, the song is centralized on a series of failed relationships with bittersweet wishes of what could have been sewn into the lyrics. What first appears as a rogue horror movie, Comet’s blood-covered escape down a night-soaked street signifies the flee from a failed romance, cutting to Violet who is seen throughout with many of the dead “victims” of love. The loose narrative of random others appearing and disappearing again seems to note some cyclical sequence of what is it to go through one lover after another, all to the same end." -Sunni Johnson, Wussy Magazine |
